What to say about “Melancholia”?
In many ways, there’s not a more accurate portrayal of depression on film. Because it’s directed by Lars von Trier, it’s heavy on imagery, light on dialogue. But unlike “The Tree of Life” – comparisons to which are inevitable – “Melancholia” is coherent. It’s moving. In every sense of the word, it’s stunning.
“Melancholia”‘s first half takes place in a single night: the extravagant wedding reception for Justine (Kirsten Dunst) and Michael (Alexander Skarsgard). The evening should be happy, so why does Justine grow more distant and less functional as the hours creep by? In the film’s second half, Justine comes to stay with her sister Claire (Charlotte Gainsbourg) and brother-in-law (Kiefer Sutherland) as the mysterious planet Melancholia – only visible as a pinprick at the wedding – looms larger and threatens to take over Earth.
Some may argue “Melancholia”‘s overt symbolism is annoying, the score too loud and dramatic, the cinematography over the top. I’d rebut that these factors are exactly what makes the film effective. Anyone who’s experienced depression know it as overwhelming, all-encompassing, swallowing you up until all else fades away. In “Melancholia,” it’s impossible to look away or to think about anything else. If von Trier had dared to cut 10 minutes, it would be close to a perfect piece of art.
Plus Alexander Skarsgard wears a tuxedo.
“Melancholia” is currently showing at Landmark Century Centre Cinema (2828 N. Clark).
Full price, matinee or rental? Full price.